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#277937 - 08/07/08 08:41 PM
Re: Wear the silver foil, for the love of all that's holy!
[Re: Anonymous]
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experienced member
Registered: 07/13/03
Loc: Alive and well in Tutwiler
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Just out of curiosity, who is behind desteni productions? Mel Gibson of course. Everyone who knows anything knows that. Gah! Your overconfidence is hilarious. Why, thank you. It's not often I get a compliment in here. Obviously close contact with excessive amounts of silver has not completely contaminated your brain, but in time it will. I strongly suggest you stop wearing your silver foil hat and quit reading the book of Revelation before it is too late. You actually think you can keep us imprisoned here eternally...hahahaha! It has worked so far. Did you know that there is a huge root cellar in Windsor, Vermont which currently houses over 800 people just like you? They were once regulars here, but after the alien forces defeated them in 2004, they were sent to Windsor for eternal orientation and rehabilitation. Freedom is a special thing. Don't monkey around and lose it. My alien friends and I can be trusted, but we are not always as forgiving as some of you humans are. I see you enjoy using the word "pathetic"....We aliens prefer words like electro-convulsive shock and mind-altering implants. Btw, would you like a free sample pack of of MK-Ultra cigarettes?
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#278266 - 08/11/08 12:14 PM
Re: Wear the silver foil, for the love of all that's holy!
[Re: Anonymous]
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over-experienced member
Registered: 04/12/05
Loc: Trust no one but me
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This pseudo-existence must end. Pseudo-existences came out of the turn of the century solipsist existentialist philosophy movement and originated in Norway with the advent of the Norse expressionist school of painters led by Edvard Munch who as you know claimed to have painted the famous "Scream" series depicting an expecially troublesome attack of existential angst. The truth is Munch did NOT paint the scream, but rather it was done by a stray cat who wandered into his Paris studio from off the street. In Munch's own words he described this unusual cat..."It had anxious, questioning eyes-the eyes of a human being-and I was almost afraid of its gaze." The cat soon took control of Munch's studio, sharpening its claws on his easels and deficating in his paint box. Munch was helpless against the cunning beast and late one night he awakened and found to his horror that the animal had painted over all his paintings with these disturbing scream images. But before the enraged artist could destroy the cat's handiwork (paw-work then) they were discovered by a female artist acquaintence who instantly recognized the genius of the one who had painted them. Munch, poisoned the offending cat a few hours later, then claimed the work for his own and the rest is history. The animal died a horrible death from arsenic-laced warm milk and was buried in a shallow grave in Munch's flower garden under some purple pansies. Later it was discovered that the cat had once belonged to Munch's sister, Laura Catherine, who suffered from manic depression and lived in an asylum at the foot of Ekeberg Hill, the scene depicted in the paintings. This revelation has only recently come to light due to cat-scans made of the paintings. It seems the cat had a perculiar way of signing the back of the canvas with the tip of his tail dipped in burnt umber and crimson.
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