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#277327 - 08/01/08 10:00 AM
Re: America's Got Talent - We've Got Magic To Do!
[Re: jokul]
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Registered: 08/01/99
Loc: New York, NY (New York)
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Agreed, jo.
Fred Astaire, who was a star on the Broadway stage beore he started making films, always insisted that his entire body be photographed when he danced (no closeups of feet, etc.) and when you see his work on film today you realize that his dance numbers, with whatever partner he used, were filmed using the longest (in time) possible shot. No frenetic 5-second cuts between the male and the female, feet, people watching in admiration, none of that crap. He just danced.
The frantic cutting from here to there during every act shows that the producers and director have absolutely no idea how to present and shoot entertainment, and it means they have a very cynical and distrustful view of the intelligence of the audience. For all I know, they're right, but I suggest that stillness is sometimes better than movement.
When you get tired of today's reality-variety shows, check out an old Fred Astaire musical and see how this kind of performance should be photographed.
Go Pendragons!
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#277328 - 08/01/08 10:08 AM
Re: America's Got Talent - We've Got Magic To Do!
[Re: Dax]
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Registered: 08/01/99
Loc: New York, NY (New York)
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As a further thought, I've seen magic acts on television totally ruined by those quick cuts.
Just to make up an example, suppose the illusion is that a magician will walk through a plate glass window. They'll start with the magician, cut to the window, cut to the audience, cut to the magician's assistant, cut to the window, cut to the audience again, cut to the magician, and by the time the trick is done, you have no idea what you saw because the cuts don't make any sense or have any dramatic value, and because everyone knows that every cut in a taped show offers an opportunity for trickery.
Anyone can make an elephant vanish if they show an elephant, obscure it with a puff of smoke, cut, remove the elephant, shoot magician standing in front of empty cage as smoke clears.
Some trick.
Sidebar thought: I've been reading some biographies of Houdini and to me the real magic about him (and all magicians) aside from physical dexterity is the lengths they will go to in order to produce the illusion.
Houdini could dislocate his shoulder to get out of a straitjacket. He'd have his wife kiss him just before he was locked in a jail cell, and transfer a key to him via mouth. In short, he'd do anything to produce the desired effect. To me, that's the magic.
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